Eurocolor color filters are very similar if not an exact hue match to European manufacturers. No need to learn a new number system. They are the same. COLORS ARE LISTED BY HUE.
|
Item # |
Color |
Description |
|
003 |
Lavender Tint |
Subtle cool wash for stage and studio lighting. |
|
169 |
Lilac Tint |
Ballroom-dance-backlight-front of house. |
|
136 |
Pale Lavender |
Pantomime, Ballroom Sets, enhances dark skin tones in follow spots. |
|
052 |
Light Lavender |
Set dressing, pantomimes and musicals. |
|
170 |
Deep Lavender |
Set lighting-discos-theatres. |
|
345 |
Fuchsia Pink |
Musical revue, pantomime, and sultry scenes |
|
048 |
Rose Purple |
Musical revues, discos etc., cycloramas. |
|
126 |
Mauve |
Cycloramas-good for back lighting. |
|
343 |
Special Medium Lavender |
Theatre and television effect, lighting backlighting. |
|
180 |
Dark Lavender |
Pleasing effects for theatrical lighting, back lighting. |
|
058 |
Lavender |
Backlight. |
|
194 |
Surprise Pink |
With Rosy Amber (193) for musicals. |
|
344 |
Violet |
Dusk effect, good skin tones, romantic effect. |
|
142 |
Pale Violet |
Moonlight, Chandeliers, high lighting pot plants. |
|
137 |
Special Lavender |
Moonlight, musical, romantic scenes, enhances skin tones. |
|
053 |
Paler Lavender |
Slightly Cool Wash |
|
061 |
Mist Blue |
Night scenes, cool wash. |
|
063 |
Pale Blue |
Cycloramas, cool wash. |
|
117 |
Steel Blue |
Gaslight in conjuction with White Flame Green (213) |
|
353 |
Lighter Blue |
Daylight Blue |
|
140 |
Summer Blue |
Warm blue-cycloramas-tint wash. |
|
172 |
Lagoon Blue |
Floodlit warm wash-underwater scenes-ballet. |
|
144 |
No Colour Blue |
Moonlight for seas, cycloramas with Apricot (147) to produce sunsets. |
|
118 |
Light Blue |
Strong night effect. |
|
183 |
Moonlight Blue |
Moonlight, cycloramas. |
|
352 |
Glacier Blue |
Cool blue for cool atmospheric mood lighting |
|
174 |
Dark Steel Blue |
Set lighting, creates good moonlight shadows |
|
196 |
True Blue |
Moonlight. |
|
161 |
Slate Blue |
Moonlight and Dusk. |
|
165 |
Daylight Blue |
Moonlight |
|
141 |
Bright Blue |
Pretty or romantic moonlight, cyclorama, night. |
|
143 |
Pale Navy Blue |
Moonlight, cycloramas. |
|
366 |
Cornflower |
Seasonal mood lighting, pale moonlight |
|
132 |
Medium Blue |
Set lighting, travelling matt blue, cyclorama, night. |
|
068 |
Sky Blue |
Night effect, cycloramas. |
|
075 |
Evening Blue |
Good for night scenes, romantic moonlight |
|
197 |
Alice Blue |
Moonlight, cycloramas. |
|
079 |
Just Blue |
Cycloramas. |
|
119 |
Dark Blue |
Moonlight mood effect, jazz club etc. |
|
363 |
Special Medium Blue |
Cool moonlight, mood effects. |
|
195 |
Zenith Blue |
Moonlight for dark sets, cycloramas. |
|
120 |
Deep Blue |
Pleasing effects for theatrical lighting. |
|
085 |
Deeper Blue |
Moonlight, strong backlighting. |
|
198 |
Palace Blue |
Dark Moonlight, Romantic evening |
|
071 |
Tokyo Blue |
Enhance skin tones, cycloramas |
|
181 |
Congo Blue |
Theater and television effect lighting, backlighting |
|
116 |
Medium Blue Green |
Pleasing effects for theatrical lighting. |
|
115 |
Peacock Blue |
Pleasing effect on sets, cyclorama cloths, backlighting |
|
131 |
Marine Blue |
Romantic moonlight-underwater scenes-ballet. |
|
354 |
Special Steel Blue |
Cooling blue-green wash for stage and set lighting. |
|
323 |
Jade |
Use for underwater scenes, cycloramas and backlighting |
|
322 |
Soft Green |
Cool green, use for gobo cover, pantomime, cycloramas |
|
325 |
Mallard Green |
Good for mood setting, undergrowth |
|
327 |
Forest Green |
Deep Green, sinister forest scenes, cycloramas, backlighting |
|
090 |
Dark Yellow Green |
Highlighting for forest scenes |
|
139 |
Primary Green |
Cycloramas. |
|
089 |
Moss Green |
Use with gobos for forest scenes |
|
124 |
Dark Green |
Cycloramas-good for back lighting. |
|
122 |
Fern Green |
Cycloramas-good for mood effect. |
|
121 |
Evergreen |
Cycloramas. |
|
088 |
Lime Green |
Use with gobos for leafy glades, slightly sinister atmosphere |
|
138 |
Pale Green |
Good with gobos for wooded scenes. |
|
130 |
Clear |
Used for animation and projection work |
|
009 |
Pale Amber Gold |
Late sunlight. |
|
013 |
Straw Tint |
Sunlight wash with gobos, interior lighting. |
|
103 |
Straw |
Pale sunlight through window effect-warm winter effect. |
|
159 |
No Colour Straw |
Warm effect, sunlight. |
|
007 |
Pale Yellow |
Sunlight. |
|
100 |
Spring Yellow |
Sunlight wash, use with gobos, discos, dark skin tones |
|
010 |
Medium Yellow |
Sunlight effect. |
|
101 |
Yellow |
Sunlight and window effect-pleasant in acting areas. |
|
102 |
Light Amber |
Lamplight effects-dawn sun effects- pleasant in acting areas. |
|
104 |
Deep Amber |
Mood effect on backing. Backlighting of floor and colour effect. |
|
015 |
Deep Straw |
Strong mood effect on backings. |
|
179 |
Chrome Orange |
Sunlight. |
|
020 |
Medium Amber |
Late sunlight. |
|
147 |
Apricot |
Sunrise, sunset, lamplight. |
|
105 |
Orange |
Fire effect if used with Primary Red (106), Pale Red (166), Deep Amber (104) |
|
134 |
Golden Amber |
Fire effect (doubled up). |
|
158 |
Deep Orange |
Fire effect. |
|
021 |
Gold Amber |
Fire effect sunset. |
|
135 |
Deep Golden Amber |
Fire effect. |
|
022 |
Dark Amber |
Backlight. |
|
025 |
Sunset Red |
Warm stage wash-TV studio wash-sunset effect. |
|
166 |
Pale Red |
Cycloramas. |
|
019 |
Fire |
Disco effect-Fire effect. |
|
164 |
Flame Red |
Fire effect. |
|
024 |
Scarlet |
Pantomime, ballroom sets, fire effects. |
|
182 |
Light Red |
Theatre and television effect lighting, cycloramas. |
|
106 |
Primary Red |
Strong red effect, cycloramas |
|
026 |
Bright Red |
Cycloramas. |
|
027 |
Medium Red |
Cycloramas. |
|
029 |
Plasa Red |
Cycloramas |
|
341 |
Plum |
Romantic, Atmospheric set lighting |
|
127 |
Smokey Pink |
Cycloramas-set lighting, discos. |
|
046 |
Dark Magenta |
Very strong pink, good for backlighting. |
|
113 |
Magenta |
Very strong-used carefully for small areas on set. |
|
148 |
Bright Rose |
Fire effects, musicals. |
|
332 |
Special Rose Pink |
Pantomimes, light entertainment etc., strong stage wash. |
|
128 |
Bright Pink |
Cycloramas-good for back lighting-strong effect. |
|
328 |
Follies Pink |
Dramatic stage lighting. |
|
002 |
Rose Pink |
Strong pink wash cycloramas. |
|
111 |
Dark Pink |
Good for cycloramas. |
|
192 |
Flesh Pink |
Musical and Pantomime key lights. |
|
036 |
Medium Pink |
Front of house lanterns. |
|
110 |
Middle Rose |
Pleasing effects for theatrical lighting. |
|
039 |
Pink Carnation |
Soft, Cool pastel pink, good for backlighting and general colourwash |
|
035 |
Light Pink |
Musical revues, warm wash |
|
033 |
No Colour Pink |
Warm wash |
|
153 |
Pale Salmon |
Back lighting in conjunction with white light. |
|
162 |
Bastard Amber |
Warm white, warm wash, lamp light. |
|
152 |
Pale Gold |
Interior lighting to enhance skin tones. |
|
154 |
Pale Rose |
Pleasing effects for theatrical lighting, lamplight |
|
151 |
Gold Tint |
Pleasing effects for theatrical lighting. |
|
004 |
Med. Bastard Amber |
Naturally enhances skin tones. |
|
108 |
English Rose |
Warm tint wash-flesh tones-softer skin tones. |
|
176 |
Loving Amber |
Sunrise, backlight. |
|
109 |
Light Salmon |
Interesting back lighting. |
|
107 |
Light Rose |
Mood effect on backing, backlighting of floor and colour effect |
|
157 |
Pink |
Useful for softening white costumes without affecting skin tones. |
|
193 |
Rosy Amber |
Warm, emotional, romantic. |
|
008 |
Dark Salmon |
Enhances dark skin tones, sunsets, ballroom sets. |
|
017 |
Surprise Peach |
Skin tones, mood light |
|
156 |
Chocolate |
With Straw (103) in same lantern to produce candlelight |
|
191 |
Cosmetic Aqua Blue |
Pale tints complementary to key lighting |
|
190 |
Cosmetic Emerald |
Pale tints complementary to key lighting |
|
189 |
Cosmetic Silver Moss |
Pale tints complementary to key lighting |
|
184 |
Cosmetic Peach |
Pale tints complementary to key lighting |
|
185 |
Cosmetic Burgundy |
Pale tints complementary to key lighting |
|
188 |
Cosmetic Highlight |
Pale tints complementary to key lighting |
|
187 |
Cosmetic Rouge |
Pale tints complementary to key lighting |
|
186 |
Cosmetic Silver Rose |
Pale tints complementary to key lighting |
|
|
COLOR NOT SHOWN |
Click here to buy a known color that you can't find in our list |
Conversion Filters |
|
200 |
Double CT Blue |
Converts Tungsten 3200K to Daylight 26000K |
|
201 |
Full CT Blue |
Converts Tungsten 3200K to Photographic Daylight 5700K |
|
281 |
Three Quarters CT Blue |
Converts Tungsten 3200K to Daylight 5000K |
|
202 |
Half CT Blue |
Converts Tungsten 3200K to Daylight 4300K |
|
203 |
Quarter CT Blue |
Converts Tungsten 3200K to Daylight 3600K |
|
218 |
Eighth CT Blue |
Converts Tungsten 3200K to Daylight 3400K |
|
204 |
Full CT Orange |
Converts Daylight 6500K to Tungsten 3200K |
|
285 |
Three Quarters CT Orange |
Converts Daylight 6500K to Tungsten 3600K |
|
205 |
Half CT Orange |
Converts Daylight 6500K to Tungsten 3800K |
|
206 |
Quarter CT Orange |
Converts Daylight 6500K to Tungsten 4600K |
|
223 |
Eighth CT Orange |
Converts Daylight 6500K to Tungsten 5550K |
|
207 |
Full CTO + .3ND |
Converts Daylight 6500K to Tungsten 3200K and reduces light 1 stop |
|
208 |
Full CTO + .6ND |
Converts Daylight 6500K to Tungsten 3200K and reduces light 2 stops |
|
441 |
Full CT Straw |
Converts daylight to tungsten 3200K with yellow bias mired shift + 160 |
|
442 |
Half CT Straw |
Converts daylight to tungsten 4300K with yellow bias mired shift + 81 |
|
443 |
Quarter CT Straw |
Converts daylight to tungsten 5100K with yellow bias mired shift + 42 |
|
444 |
Eighth CT Straw |
Converts daylight to tungsten 5700K with yellow bias mired shift + 20 |
|
298 |
.15 ND |
Reduces light 1/2 stop w/o changing colour |
|
209 |
.3 ND |
Reduces light 1 stop w/o changing colour |
|
210 |
.6 ND |
Reduces light 2 stops w/o changing colour |
|
211 |
.9 ND |
Reduces light 3 stops w/o changing colour |
|
299 |
1.2 ND |
Reduces light 4 stops w/o changing colour |
Correction Filters |
|
212 |
LCT Yellow (Y1) |
Reduces colour temperature of low carbon arcs to 3200K |
|
213 |
White Flame Green |
Corrects white carbon arcs by absorbing ultra violet |
|
230 |
Super Correction LCT Yellow |
Converts Yellow Carbon Arc (of low colour temperature) to tungsten |
|
232 |
Super Correction WF Green to Tungsten |
Converts White Flame Arc to 3200K for use with tungsten film |
|
236 |
HMI (to Tungsten) |
Converts HMI to 3200K for use with tungsten film |
|
237 |
CID (to Tungsten) |
Converts CID to 3200K for use with tungsten film |
|
238 |
CSI (to Tungsten) |
Converts CSI to 3200K for use with tungsten film |
|
226 |
UV |
Transmission of less than 50% at 410nms |
|
241 |
Fluorescent 5700K |
Converts tungsten to fluorescent light of 5700K used with camera filter |
|
242 |
Fluorescent 4300K |
Converts tungsten to fluorescent light of 4300K used with camera filter |
|
243 |
Fluorescent 3600K |
Converts tungsten to fluorescent light of 3600K used with camera filter |
|
219 |
Fluorescent Green |
General Tungsten to Fluorescent correction for use when fluorescent colour temperature is unknown to provide medium correction. Used with colour correction filter. |
|
244 |
Full Plus Green |
Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approx. equivalent to CC30 Green) used with camera filter |
|
245 |
Half Plus Green |
Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approx. equivalent to CC15 Green) used with camera filter |
|
246 |
Quarter Plus Green |
Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approx. equivalent to CC075 Green) used with camera filter |
|
247 |
Full Minus Green |
Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC30 Magenta) |
|
248 |
Half Minus Green |
Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC15 Magenta) |
|
249 |
Quarter Minus Green |
Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC075 Magenta) |
|
278 |
Eighth Plus Green |
Provides a green cast when used on daylight and tungsten sources for partial balancing with fluorescent (approx. equivalent to CC0375 Green) used with camera filter |
|
279 |
Eighth Minus Green |
Used for eliminating green cast caused by fluorescent lighting on film (approx. equivalent to CC0375 Magenta) |
Frosts and Diffusion Filters |
|
216 |
White Diffusion |
Soft Light effect (50 microns) |
|
250 |
Half White Diffusion |
Half Strength 216 |
|
251 |
Quarter White Diffusion |
Quarter Strength 216 |
|
252 |
Eighth White Diffusion |
Eighth Strength 216 |
|
217 |
Blue Diffusion |
Soft Light effect (50 microns)-increases color temperature slightly |
|
224 |
Daylight Blue Frost |
Soft light effect with tungstyen correction using full CT Blue (75 micron base) |
|
225 |
Neutral Density Frost |
Soft Light effect with neutral density (75 micron base) |
|
253 |
Light Frost |
Light frost effect |
|
255 |
Hollywood Frost |
Light frost effect, softens edges |
|
129 |
Heavy Frost |
Used for soft light effect (75microns base) |
|
220 |
White Frost |
Used for Soft light effect (75 micron base) |
|
221 |
Blue Frost |
Used for soft light effect (75 micron base)-increases colour temperature slightly |
|
416 |
3/4 White Diffusion |
Used for soft light effects |
|
450 |
3/8 White Diffusion |
Used for Soft Light effects |
|
452 |
1/16 White Diffusion |
Used for Soft Light effects |